Art and Projects
a Dialogue with Daniela Ehemann
Daniela Ehemann
Missing | Link, installation, steel rods, towel, objects,
charcoal, light and shadow,
Gallery Jarmuschek and Partner, 2004/5
Concepts and Key Themes
- installation
- drawings
- performance
- concept art
- animation
Lines Fiction: connecting minimal drawing style to sculpture and architectural themes, as well as to film and life stories…
Artist’s Bio
Daniela Ehemann was born in Erlangen, Germany, studied Philosophy and completed an MFA in Fine Art at the University of the Arts in Berlin in 2003. In 2012 the artist added a teaching degree in theatre. Since then, she taught at the UDK Berlin, in Hangshou, China, and in Chicago, and has been collaborating in a number of ways, such as working with Hochschule für Kunst und Design Burg Giebichenstein in Halle, gave lectures at Columbia College Chicago, and at the Goethe Institute Chicago. Since she 2019 has a lectureship at BTU Cottbus in the area of art/architecture.
Daniela Ehemann has been exhibiting nationally and internationally since 2002. Her work has been shown in Berlin, Munich, N.Y. and Chicago, and also in the Haus der Kunst Brünn and in the Museum of Art in Caracas. She collaborated with the artist group ‘Raum : selbst’ and organized festivals. Grants and support has been received from Carnegie Mellon University Pittsburgh, the Berlin Senate for Science and Education, Lake Forest University in Chicago, the IFA and Goethe Institute Chicago. Daniela Ehemann lives and works in Berlin.
Ausstellungen / Arbeiten
2021 May 8th to July 11th, “ Transnotations”, Kunsthalle Emmen Holland |
2020 “ OnBigDrawing II” Project 2020, Chicago| Halka Arts Istanbul “ Pinguinperformance” |
2019 Public Performance Daniela Ehemann & Carron Little Chicago Humboldt Park and Formal Garden | X.
Internationales Lyrikfestival Meridian Czernowitz 2019, Ukraine | Museo San Francesco, Greve, Italien
| Ausstellungsbeteiligung ARTSPRING, Kunstfestival Pankow, Berlin |
2018 ” Kitchen Lab”, Supermarket Art Fair | ” H E A R – Z E I T” Performancefestival Berlin |
2017 ” When Pisa Falls” Street Performance Florenz, Italien | ” Balance” Performance in Cooperation mit Emanule
Capozza Positions Berlin Art Fair, Galerie Jarmuschek und Partner |
2016 ” Frankfurter Küche” Projektraum Schillerpalais, Berlin |
2015 ” Die Lichtenberg Norm”, Zwitschermaschine, Berlin | “ Pinguinperformance“, Taksim Istanbul, ” 5 Steine”
Taksim in Cooperation mit Halka Arts, Istanbul Türkei, | “ House of Cards”, China Academy of Art (CAA) Hangzshou, China |
2014 ” OnBigDrawing”, Outdoorsculpture, A+D Gallery, Chicago, USA, | ” Art Fair Istanbul” Halka Art Project | “
Positions” Art Fair, Galerie Jarmuschek und Partner, Berlin | “boxes zones quarters” (June 17th – July 17th,
2014), iRRi ART, Casablanca/ Marrakech, Marokko|
2013 Culture Cross Fellowship, Ragdale, Chicago, | ” Cities of a floating World” Eyeporium Gallery, Chicago, | “
Space Jump” Direct Action Performance Month in Cooperation with Carron Little Chicago | ” Dismanteling” Galerie
Jarmuschek und Partner, Berlin
Links
Galerie /Edition Stella A.- Berlin
http://stella-a.de/ehemann.htm
Collaboration mit Carron Little Chicago Berlin
http://carronlittle.com/collaborations/
La Macina di San Cresci Daniela Ehemann Artist in Residence
https://www.chianticom.com/index.php/en/artists/current-year/531-daniela-ehemann
Residency Berlin
http://lichtenberg-studios.de/en/2015/03/daniela-ehemann/
University
https://www.b-tu.de/fg-kunst/startseite/team/daniela-ehemann
Lines Fiction Galerie
https://linesfiction.de/lf/index.php/lines-fiction-online/a-l/daniela-ehemann
Lines Fiction online
In our project we introduce draughtsmen and women
who see their drawings as coequal to their animations.
We show how both media inspire and complement one another.
Before all other forms of artistic expression, drawing has a great, almost anarchic freedom. Where painting has to invoke past examples or a
grand new gesture with every brushstroke, the drawing can quitly claim evrything for itself. With simple means it creates an inner dynamic it
has no need to justify. here a sketch on a paper napkin, there a concept for an intellectual construct, it can also become independent and
finally refer to nothing but itself and still give rise to a complex result. Its link to fil is obvious. A film project is sketched by hand in film
sequences.Barbara Weidle / Bettina Munk